These Brazilian design classics were originally published by the British newspaper The Guardian in 2008. Check out the on their website under the title “Five Brazilian Design Classics”.
The Favela Chair
Despite its name – the “shantytown chair” – the Campana brothers‘ Favela Chair became a defining piece of Brazilian design with a price tag to match when it was launched in 2003. Reputedly made out of the same wood used to construct shacks in the ramshackle city districts, this design classic sells for just under $4,000.
The Havaianas Flip-Flop
Invented in 1962 the Havaiana, a rubber flip-flop spent nearly 40 years as an unremarkable but commonplace component of the Brazilian wardrobe. Suddenly at the end of the 1990s, the Havaianas took off as an international fashion accessory worn by top models across the globe such as Naomi Campbell. Havaiana’s international sales are said to be doubling each year. In Rio the lowly Havaiana costs around R$10 (£2). In Europ,e they have been known to fetch around £100.
Oscar Niemeyer’s Congress Building
Erected at the end of the 1950s, Brazilian architect Oscar Niemeyer’s Congresso Nacional, the Congress Building in Brazil’s capital Brasília, remains his most celebrated work, often compared to two white flying saucers. Mixing the sweeping convex and concave lines for which he became famous, the building is one of the most recognisable symbols of Brazilian architecture.
The Dental Floss Bikini
Known in South America as fio dental, literally “dental floss” in English, the Brazilian bikini is also begrudgingly held up as a design classic, widely embraced on the country’s beaches. The dental floss bikini was not always a unanimity, however. In 1961 president Janio Quadros outlawed the tiny fashion item from Rio’s beaches. He lasted just seven months in power.
The Tutti Frutti Hat
Carmen Miranda, Brazil’s most famous singing export, is to this day one of the defining fashion icons to emerge from Brazil. Born in Portugal, “the lady in the tutti-frutti hat”, as she became known, moved to the US in 1939 where her colourful, fruit-laden costumes became a seminal creation, referenced to this day by Brazilian designers.